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The
Solar Powered Vernacular House is an exhibition pavilion and think
tank venue for renewable energies and sustainability issues. Based
on a traditional Croatian wooden house, it has been developed for
the roof of the MSU in Zagreb.
Imagining a better world where renewable energy sources like wind
and solar are relieving some of the strain being imposed on nature
- and therefore back upon ourselves - one has to ask the question
whether human beings are capable of behaving in a sensible way. Or
is the human need to transcend itself and its current condition
such that it can only over-indulge, thereby missing the chance
once again.
As part of a body of interactive sculptural installations which
derive their power from solar energy, I wish to depict how our
world might appear if we fail to break out of the vicious circle
of events and established routines for structuring society as we
know them today. I also wish to remind of the fact that many of
these solutions and possibilities representing sustainable
lifestyles have already been available for extended use for over
30-40 years, and in other cases much longer. I hope to raise
awareness that the unavoidable transition to renewable energies
will not turn into the next wave of elitists exploiting the
masses, but will be developed in a way to serve the needs of the
many.
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Inevitably
the MSU in Zagreb will need to outfit itself in the future with
solar
panels and thereby capitalize on renewable energies,
reducing the financial burden of powering the various
institutional activities. Within this context I propose a pavilion
structure, a vernacular house, as an integrated element of these
renewable energy systems. This structure, shaped like and with a
construction similar to a traditional Croatian house, is
completely covered with solar panels in one or more colors. The
long southern wall has no windows, having five doors instead. The
doors are also distinguished in that they are in motion, opening
(via motion sensors) as passers-by approach the house and closing
behind them after they enter. In front of and inside this
pavilion, the spectator/passer-by is confronted by a series of
objects representing some of the challenges in life: a door to
nothingness, a pleasure chair, a barking watchdog, a polygraph
machine, a running treadmill, a vibrator and an electric chair.
Embodying issues relating to desires, honesty, guilt, and
responsibility, the totality of these installations refers to the
need of humans to live well and fulfill their search for pleasure
and happiness, and their struggle in doing so.
All of these objects, as well as the doors, are powered from the
solar panels on the pavilion. When presented independent of the
pavilion structure, the objects all have their own integrated
solar panel(s) as energy source, and are self-sufficient.
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SPVH, animated drawing, 2014 |
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